Varnish

1) UV light box

2) Removing of the fingerboard and application of the neck protection

Casein

1) Application of the protein size inside the ribs and back

2) Application of the protein size inside the top

2) bis – Real-time application of casein inside the top plate

3) Casein sealer application

4) Casein sealer application – Long version

5) Casein sealer – Real-Time application

Mastic and Turpentine

0) Mastic and Turpentine from start to finish

1) Preparation of the Mastic and Turpentine

2) Preparation of the Mastic and Turpentine – Real-time sequence

3) Adding Pumice to the Mastic and Turpentine

4) Application of Mastic and Turpentine (condensed version)

5) Application of Mastic and Turpentine – Real-Time sequence

Linoxyn

1) Linoxyn

2) Linoxyn grinding

3) From linseed oil to linoxin: states of polymerization and oxidation

Making the varnish

0) Varnish making from start to finish (condensed)

1) Part one : dissolving the raw shellac (Seedlac) in alcohol

2) Part two : filtering the raw shellac

3) Part three : dissolving the Linoxin in alcool

4) Part four : filtering the Linoxin

5) Part five : dissolving the Mastic in alcool

6) Part six : filtering the Mastic

7) Part seven : concentrate the varnish for the application

8) Varnish application – Real-time sequence

9) Linoxyn varnish – Application of one coat with music and caption

10) Linoxyn varnish – application of one coats – no music – no captions

Neck and pegbox finishing

1) Blending the varnish margins of the neck

2) Preparation of Chicory extract for coloring the neck

3) Coloring of the neck and final treatment with linseed oil

4) Varnishing the inside of the pegbox

F-holes inside surface: finishing and painting

1) Elimination of excess varnish and application of a protective coat

2) Application of the color and finishing of the edges

3) Finishing off the inside of the F-holes – Condensed version